![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEUHLhG9nHVVus8R9qITbclKkcBRukS8qdj0iwRlTyfOJqhAtfFv0w0mLI9Fup4ZYIBSJn4DNeVvYVl5GhVt5uX-2Kd-UXlTbMREVAaoUKvFx8DRtNkVSGEWiP93B9b5WEFnUyktHmdPw4/s320/Fourth+Roll%252C+Print+1.jpg)
This is one of my favorite earlier prints - I think the contrast is just about right, and the focus isn't too sharp or too blurry. I like the way everything fades the farther away you get from the bridge. The white paint stands out very boldly, and I think the lines give it just the right shape and direction.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB1H2LQpmmqQ1SkEL-1f-KnP8zFtJ1CoOh16uwjaHVE_OC4rP6ekg8R-_u9kNcttZ8OXifW2LksyA-R-j1HMzexIgRxRjyEUJGNY-meGYD5g-gt1vBCNDvYJJC9OAVtdC8XIEB8bluCZ5o/s320/Fourth+Roll%252C+Print+2.jpg)
This photo is certainly full of lines, but it's a little too crowded for my taste. If I were going to take it again, I'd get much closer, focus sharply on the broken tree, and use a shallow depth of field. Then I'd dodge and burn so that the log stood out clearly against the darker background.
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